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EYE
We are not simply embodied beings with cultural and metaphysical weight, nor merely bodies of water with biological, chemical, and...
Lifeline
Recently I've been revisiting Lifeline—an 80-foot braided, woven, and wrapped rope I began in 2016. I started this piece after the deaths...
VIDEO INSTALLATIONS
This is a mock-up of a site-specific installation that consists of projected video on layered, translucent scrims and includes references...
EYE
We are not simply embodied beings with cultural and metaphysical weight, nor merely bodies of water with biological, chemical, and...
Mar 20
Lifeline
Recently I've been revisiting Lifeline—an 80-foot braided, woven, and wrapped rope I began in 2016. I started this piece after the deaths...
Mar 20
VIDEO INSTALLATIONS
This is a mock-up of a site-specific installation that consists of projected video on layered, translucent scrims and includes references...
Feb 6
SCREAM BOOTH
I recently became the steward of a vintage booth and have been developing plans to transform it into a participatory sound sculpture and...
Feb 6
DINNER FOR TWO LEFTOVERS
In Dinner for Two Leftovers , every single object attends dinner with us for a reason. Each object draws connections to what theorist...
Dec 19, 2024
DINNER FOR TWO LEFTOVERS | FIRE BOWLS
In my Dinner for Two Leftovers installation project, the allusion to domestic grief is an allegory for broader cultural grieving over...
Dec 19, 2024
DINNER FOR TWO LEFTOVERS | THE CHAIRS
Dinner for Two Leftovers is a project I'm working on that I've been excited to share with you all. The installation is an exploration of...
Dec 19, 2024
PARADISE MAINTENANCE
I recently became a land owner after I stumbled upon a piece of sod that fell off a truck. This video excerpt is from an ongoing...
Nov 3, 2024
PRACTICING THE UKULELE
I recently became a land owner after I stumbled upon a piece of sod that fell off a truck. This video excerpt is from an ongoing...
Nov 3, 2024
WELCOME TO MY STUDIO JOURNAL
Years ago, my work changed radically after several significant losses, which compelled me to move from an abstract painting practice to...
Oct 2, 2024
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